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OP#1467

Cut some measures short here and there to make the beginnings and endings line up. I copied the Segno symbols from the PDF literally, but I don't really know what they mean in this context. They may have some ramifications for unfolding repeats, so it's probably worth a glance over.

@ameliabrey ameliabrey requested a review from johentsch March 24, 2025 20:49
@johentsch johentsch changed the base branch from main to op2 November 10, 2025 15:27
ms3-bot added 5 commits November 10, 2025 16:37
ms3 review -M -N -X -C -D -a -i op02n02c
…namely voltas in mm. 11 and 21

This solution deliberately keeps the rests at the beginning of the piece rather than turning it into a pickup measure (which would have made the 10+10-measure synchrony more obvious). Keeping the very last measure as two tied dotted quarters was an arbitrary choice based on the bass note. By modern standards, it would have to be a full-length measure.
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Thanks @ameliabrey! I have reset a few of the figured-bass durations to the default and taken the liberty to include these spots as examples for clarification concerning our guideline: #261 (comment)
Please merge if you agree. Oh and I've replaced the segnos with a repeat structure using voltas in order to realize the intention that the upper voices should take up the beginning while the bass is still playing the final note.

P.S. This will conclude WP 1467.

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Oh, just one thing before you merge: Could you please replace the trill-lines with simple tr symbol as you have done for the other movement before?

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3 participants