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Op02n12a #276
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Op02n12a #276
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BeckerHanne
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Hi @johentsch , I left a couple of comments in the code here for discussion. Thanks!!
| 8 8 22 22 1.5 1/4 1/4 Chord 3/4 1 1 3/8 1/4 3/2 40 | ||
| 8 8 47/2 47/2 0.5 5/8 5/8 Chord 3/4 1 1 1/8 1/8 1 41 | ||
| 8 8 21 21 1.0 0 0 Chord 3/4 2 1 1/4 1/4 1 42 | ||
| 8 8 22 22 1.5 1/4 1/4 Chord 3/4 2 1 3/8 1/4 3/2 43 ornamentPrecompMordentUpperPrefix |
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@johentsch After checking this now I see this. Adding ornaments adds a super long string into the chords.tsv ....should we refrain from adding ornaments? (Sorry, there are so many places rn to look for the procedures, I might be missing some. 😊 )
| "@id": "https://orcid.org/0000-0002-1986-9545" | ||
| }, | ||
| "softwareVersion": "2.5.4" | ||
| "softwareVersion": "0.0.post1.dev1+g6d954be" |
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Hmmm not sure why this version of ms3 shows up here.
https://op-musicology.epfl.ch/projects/corpus-building/work_packages/1477/
This contains the first opening measures of Sonata XII (also known as Ciacona in an earlier source). I wasn't sure which measure of consistency we wanted to apply, since this is a type of outlier in the sense that the Ciacona Largo immediately segue ways into an Allegro in bar 17. Therefore if we were to encode the Allegro as a separate movement, there would be technically a duplication of measure 17, which in effect becomes m.1 of the new movement.
My instinct would be to encode the entire Sonata as just one file. Please let me know what you would like.
If we decide that this is indeed one long movement, and not two, I hope the file as is can be extended with adding bars and notes; if not, then perhaps we should close this PR and start from scratch to accommodate the (long) last piece. If we decide on one long piece, how will we name it 1) op02n12a or 2)op02n12?
I let all bass figures be at the default, and did not manually lengthen any.
Thank you, @johentsch